20110428
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浅草>渋谷>恵比寿>品川>銀座>墨田>浅草 + 浅草>お茶ノ水>西新宿>新大久保>西新宿>浅草=〜61.3km
20110425
20110411
こちらはーー ヤンニーマンドですー
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日本の街の公共アナウンスが一般的です。 (例えば子供たち、夕暮れ時に家に帰るの時間を教えられます。)誰もが聞きたい特定のタイプがありますが:潜在的な破局を発表しているのは。 2011年3月11日で私達はそのうちの一つを聞きました。このトラックは、これらの公表の音に触発されます。歌詞は地震の犠牲者とその後の津波や福島工場の難民だけでなく、誤報の被害者に専念しています。恐ろしい出来事ではなく、最悪の事態はまだ来ていないという考えの普及に着手したいくつかのメディア次に示します。何かが起こると悪いしたかった示したので、発行されたものに証拠を持っていた。彼らは外国人居住者数千人は、逃げようとその家族が不必要に苦しむことに余儀なくされた。
Public announcements in the streets of Japan are common. (They tell children it's time to go home at dusk, for instance). There is a certain type no one wants to hear though: the one announcing a potential catastrophe. On March 11 2011 we had one of those. This track is inspired by the sound of these public announcements. The lyrics are dedicated to the victims of the earthquake and subsequent tsunami and Fukushima plant refugees, but also to the victims of misinformation. Following the terrible event, not a few western media embarked on the spreading of the idea that the worst was yet to come. Having no evidence on what they were publishing, thus showing their eagerness for something worse to happen and pushing thousands of expats to flee and their families to suffer unnecessarily.
The Quake (こちらは) by Jan Niemand
He slept but then the quake
His nap could not respect
The dream got then canceled
He had to take the plane
The guys with pens always know better
They show you things you cannot see
They shape your life, tell you what to do
And take their share of you and me
In your head, your head, congregated in your head
In your head, your head, congregated in your head
Her mother was so scared
She left with that month's rent
But then it was all fake
By then it was too late
The guys with mics, they want to kill you
The many deaths are not enough
They kill your loved ones, that's what they do
They worsen what's already bad
In your head, your head, congregated in your head
In your head, your head, congregated in your head
Well today and at nights
It seems you're living another life
And the tears that you cry
They're bound to die
And your mum and her grief
Well that's just something you won't forgive
The lost eyes and scared smiles
They're bound to be
You don't know what to do
But then not only you
Felt shame for thinking bad
Felt shame for feeling glad
The shortest time was made the longest
For many it will never end
You have to show you are the strongest
They do attack thus you defend
In your head...
日本の街の公共アナウンスが一般的です。 (例えば子供たち、夕暮れ時に家に帰るの時間を教えられます。)誰もが聞きたい特定のタイプがありますが:潜在的な破局を発表しているのは。 2011年3月11日で私達はそのうちの一つを聞きました。このトラックは、これらの公表の音に触発されます。歌詞は地震の犠牲者とその後の津波や福島工場の難民だけでなく、誤報の被害者に専念しています。恐ろしい出来事ではなく、最悪の事態はまだ来ていないという考えの普及に着手したいくつかのメディア次に示します。何かが起こると悪いしたかった示したので、発行されたものに証拠を持っていた。彼らは外国人居住者数千人は、逃げようとその家族が不必要に苦しむことに余儀なくされた。
Public announcements in the streets of Japan are common. (They tell children it's time to go home at dusk, for instance). There is a certain type no one wants to hear though: the one announcing a potential catastrophe. On March 11 2011 we had one of those. This track is inspired by the sound of these public announcements. The lyrics are dedicated to the victims of the earthquake and subsequent tsunami and Fukushima plant refugees, but also to the victims of misinformation. Following the terrible event, not a few western media embarked on the spreading of the idea that the worst was yet to come. Having no evidence on what they were publishing, thus showing their eagerness for something worse to happen and pushing thousands of expats to flee and their families to suffer unnecessarily.
The Quake (こちらは) by Jan Niemand
He slept but then the quake
His nap could not respect
The dream got then canceled
He had to take the plane
The guys with pens always know better
They show you things you cannot see
They shape your life, tell you what to do
And take their share of you and me
In your head, your head, congregated in your head
In your head, your head, congregated in your head
Her mother was so scared
She left with that month's rent
But then it was all fake
By then it was too late
The guys with mics, they want to kill you
The many deaths are not enough
They kill your loved ones, that's what they do
They worsen what's already bad
In your head, your head, congregated in your head
In your head, your head, congregated in your head
Well today and at nights
It seems you're living another life
And the tears that you cry
They're bound to die
And your mum and her grief
Well that's just something you won't forgive
The lost eyes and scared smiles
They're bound to be
You don't know what to do
But then not only you
Felt shame for thinking bad
Felt shame for feeling glad
The shortest time was made the longest
For many it will never end
You have to show you are the strongest
They do attack thus you defend
In your head...
20110407
days, by rico tobita
Scroll down for English.
Blog honetan nire lanaz eta pentsaeraz elkarbanatu nahi dudana agertzen da. Besteen lana ez dut askotan erakusten. Honako hau, ez da nire lana, Rico Tobitarena baizik. Ahalik eta jende genienak ikus dezan nahi dut, horregatik, Ricoren baimenarekin, bere lana ikusiko duzue ondoren.
Ondoko lana 2011ko Martxoak 11n Japoniako Iparekialdea suntsitu zuen lurrikararen ondoko hurrengo 9 egunak hartzen dituen Rico Tobitaren eguneroko pertsonala da. 10. eguneko argazkian ate tradizionaletako arroz papera kentzen ikus dezakegu Rico. Etxean materialik ez eta dendak itxita zeudenez gero, arroz paper hau erabiliko zuen Ricok bere lana burutzeko. Erromantikoa zela ere pentsatu zuen aitak eta amak jarritako paper zahar bera erabiltzea. Testu eta argazkiak arroz paper horretan inprimatu zituen, beraz. Elkarrekin itsatsi zituen ondoren, 1x1 metroko orriak bilduz. Paperaren atzean egunsentia eta loratutako gereziondoak margotu zituen eta egunkarietatik hartutako tsunamiak suntsitutako lurraren argazkiak itsatsi zituen gero. Lertxuna egin zuen papera tolestuaz. "Lertxunak itsaso gainetik hegan egingo du eta jendeari istorioa kontatuko die". Lertxuna ITS (Nazioarteko Talentu Laguntza)-ra bidali zuen ondoren.
Proiektu honen azken hitza ez zuen espero baina proiektuak erakusten duen bizitza eta heriotzaren zirkulua ixten duela dirudi. Ateetako arroz papera kendu eta gero gertatu zena azaltzen digu Ricok: "Ateetako arroz papera erabili nuenez, ateen markoak soilik geratu ziren. Txori batek gela barrura hegan egin nahi izan zuen baina ezin izan zuen kristala ikusi. Arroz papera kendu izan ez banu, ez zen txoria hilko."
Kalitate handiagoan ikusteko argazkietan klika ezazue.
This blog is all about what I do and feel like sharing, sometimes. I rarely upload someone else's work. This is one of those rare times. With Rico's permission, I want to do my bit for this work to reach the maximum amount of people possible.
This is a work by Rico Tobita. It is her picture diary for the next 9 days after the earthquake that hit North Eastern Japan on March 11 2011. Day 10 picture shows her ripping rice paper off Japanese traditional sliding doors at her house in order to be able to work on this project, as there was no material or proper paper in the house and shops were not open those days. She thought it romantic that her work would be made out of old paper that once her father and mother pasted on the very same door. She printed all the text and the pictures on the rice paper sheets. Then she pasted them together to make 1m × 1m sheets. On the backside of the paper, she painted the rising sun and cherry blossoms, and pasted devastated land after tsunami cuts out from newspapers. Then she folded a crane. "The crane that is to fly over the sea and tell people the story." The crane was sent out to ITS (International Talent Support) in Italy.
The epilogue of this project is somehow unexpected yet closes the circle of life and death represented in it. Rico explains what happened after she ripped the rice paper off the doors:
"Because I used all the rice paper on the doors, there were only door frames left. A bird tried to fly into the room, but it couldn't see the glass. If I hadn't ripped the rice papers, it would not have died. R.I.P. The bird. "
Please, click on the pictures for high quality resolution.
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This lana is licensed under a Creative Commons Aitortu-EzKomertziala-PartekatuBerdin 3.0 Unported License.
This lana is licensed under a Creative Commons Aitortu-EzKomertziala-PartekatuBerdin 3.0 Unported License.